<p>Feng Wentao <br />Schubert, Sonata op.120-1st m. – Debussy, Reflets dans l’eau – Chopin, Ballade op.52 Schubert. Pleasant sound and lyric atmosphere, but the melody and the phrasing are too stiff. The left hand is played with a general mf, not refined enough. Some very important contrasts are missed: sudden pp in bar 10 and triple ppp in bar 45. The 2 chords in bar 56 are to be played not legato! The rhythmic at the beginning of the development (3+2) is too approximately! <br />Debussy. Pleasant sound, but no real pp. Mistake in bar 14, last chord has C flat and F flat! Rhythmical mistake in bar 50, last note is a sixteenth, not a thirty-second! The general interpretation is a little bit too distant, not involving enough. <br />Chopin. Serious and well balanced phrasing, good sound in the right hand, but I miss great contrasts like the pp in bar 38, the leggiero in bar 112 and the pp in bar 129. Bar 124: much better to play C flat instead of C. Respectable performance, needs often more personal feelings, ideas and creative sound.<br />General remarks: a serious pianist, who could show more personal feelings and go deeper into music.</p>