<p>Liu Jiangli<br />Excellent Beethoven, good, effortless technique. </p><p>Repeated chords in the left hand of “Gnomenreigen” need to project– you need to use your whole lower arm to make it work, not only wrist. </p><p>You can breath more freely in Beethoven sonata: right before the second themes, before the repeat of the exposition, before the recapitulation (both false and real) and in e few more places. It will help to form shape of the piece. This criticism is effective for the rest of your program. </p><p>Music should create a magical world, which exists in your imagination. You are the one, who builds this world. You constantly need to infuse it with your images, experiences from your life, dreams,and thoughts. Musical events taking place in pieces you playrequire your close and direct attention. They need to trigger your emotional, aesthetic and imaginational senses. I did not sense enough of it in your playing. The whole reason to be a performing artist is the desire to share those worlds with your listeners. With your wonderful talent you are expected to do just this. I wish you good luck.</p>