<p>Pan Yumeng<br />In Beethoven op 81a you need to feel the music from your own inside Pleas listen for artistic lines. It should not sound instructed from your teacher. In the imitative parts tow qards the end your progression comes to a stand still. In Debussy take care to join each note to the next in order ro form phrases and avoid isolated tones. Listen to the atmosphere you create. The middle part gets dramatic for Clair de Lune. Liszt/Dante suits well to her heavy touch. From the deepest parts in this Work there are long connections to the highest climaxes. Between them, there are almost dangerous under-water-streams. Explore them more and You will avoid standstills in the quiet parts. My advice: Feel all the changes in Harmonies.</p>